In looking at what sells and what
does not
in the collectibles market,
characters rank as follows in terms of popularity – little girls, little
boys, old ladies, old men, female
teens, females 30 to 50, and last of all men 30 to 50.
The closer they are to us in age,
the less we are inclined to find them appealing.
The psychological basis for this is
probably that since
most collectibles buyers are aged 30
to 50, little
children inspire instinctive
protective
responses.
Our peers, on the other hand,
inspire a sense of competition for
resources,
and if the characters are strangers,
and men rather than ladies
(especially if these men have no
women with them), they will be even more threatening.
The exception here is the character
as 'Hero', where the man is seen as a valuable ally by men,
and a potential/fantasy mate by
women (Elvis, and other subject-as-hero plates).
Old people, though, are more appealing
–
they are little physical threat, and
have a dual aspect on the plus side -
partly as characters needing our
help and protection, but also as kindly characters
able to offer advice, wisdom, and
little treats.
Children and older people are often
very
effectively combined in storylines
in collectors plates - Hersey's 'A Gift for Grandpa',
and 'Granny's Cottage', for example;
Bradford Exchange's The Blacksmith; or many of the Rockwell plates in the
States. Our emotional reaction to
this is of a different kind - again instinctive
(since it conveyed great
evolutionary advantage)
-
a warm
feeling of approval and charm
at seeing someone large helping
someone small, and even
more dramatically, someone small
helping someone large
(the 'little helper' archetype is
one of the Hummel
figurines’ favourite themes).
The animal kingdom also
offers 'dependent' and 'ally'
archetypes: kittens inspire parental responses
(see Three Little Kittens!), dogs
and working horses fill the 'ally/helper' roles.
Show a small child offering food or
help to a
smaller creature, and you have a
winner.
Have the same small child feeding a
large, gentle carthorse, and add her
slightly larger sister offering a
reassuring and loving arm around the shoulders
as she does it, and you release a
veritable flood of parental, social
approval, and admiration for bravery instincts
(see Hersey's blockbuster 'Granny's
Cottage').
Or simply plant a small bush next to a bigger
tree, so its branches reach down towards it... and check your feelings about
the perceived relationship.
Smallness may also be an aspect of ‘kinderschema’
– the physical features which turn on our parental responses to babies and
small children. And a spin-off may be our fascination with all things miniature
– from thimbles to dolls houses, train sets to stamps.
But in what other ways do we recognise who is
running the show?
Above and Below…
Further on we look at the Hero recognised as a Dreamer (the quest for internal objects), the Striver (the quest for external objects), in dismay at meeting an Obstacle, and in Joy at achieving the Treasure.