
Wood
River Gallery
Horizons
and hidden areas fascinate.
We want to know what is over
the brow of the hill.
I’m reminded of that
Edwardian picture my grandma had of a girl on a ladder
daringly peeping over a
garden wall... or of the girl in the flat across the road from me
who had seen me unclad from
the waist up while I was in the kitchen
getting a drink from the
fridge, and who I caught as I
glanced up, jumping up and
down, trying to see
a bit more...

Bob Hersey
That bend in the lane
twisting behind the tree – and the second building
behind the smithy, but I can
only see the start of it...
In some cases the treasure is glimpsed.
In others it is
‘foreshadowed’ –
visual and aural hints are
given of its presence.

Wood
River Gallery
But horizons and simple
obstacles
are not the only ways for a
landscape to tease.
It may clothe itself in snow
or mist,
revealing glimpses here
and there, but hiding
broad swathes under
a cloak of white.
Low angle light
will do it, too –
whether at dusk
or dawn –
or the low sun
of winter in the far north.

Wood River Gallery
Shadows fall across hollows,
behind trees and hills.
Low slanting sunlight
may catch the tops
of flowering grasses
here and there,
defining new areas.
A landscape by midday
loses its intrigue, like a
stripper
who comes on stage naked...
I once did an analysis of
time of day and season in
some
500 American wildlife
paintings. They
were predominantly autumn or
winter,
and almost invariably with
the sun low in the sky.